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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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The Performing Arts in Lockdown

Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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When words are just not enough….

I write this with a heavy heart, says Rujuta Vaidya as she remembers her time-spent learning dance choreography from the unparalleled to date, ...

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The Unknown Story

Indian cinema’s first superstar, Master Nissar, had passed away in abject poverty

How many even know...

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Listen or End up Amidst the Noisemakers. - Ganesh Acharya

"I have never considered myself to be a 'Guru'. I am still a student and I always will be”, revealed the ...

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Revisiting The Epics

It is difficult to get young, urban audiences interested in classical dance, and perhaps even more so to interest them in mythology.

Th...

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Battery Dance’s new Powerhouse!

Battery Dance is a company dedicated to artistic excellence and social relevance by creating...

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5th Veda session of Whistling Woods International: Terence Lewis

“Life doesn’t give you any guarantee, but we must all take a chance,” said legendary dance master, Terence Lewis at the 5th Veda session of Whistl...

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